長崎県立大学学術リポジトリ >
国際情報学部研究紀要:第1号~第16号 >
第13号 >
Please use this identifier to cite or link to this item:
http://hdl.handle.net/10561/918
|
Title: | Koreeda's Nobody Knows:the Structure of a Fictional Documentary |
Author: | HODSON, Richard |
Author's alias: | ホドソン, リチャード |
Issue Date: | 11-Jan-2013 |
Publisher: | 長崎県立大学 |
Shimei: | 研究紀要 |
Issue: | 13 |
Start page: | 19 |
End page: | 27 |
ISSN: | 1883-8111 |
Abstract: | Koreeda Hirokazu’s 2004 film Nobody Knows, although inspired by a real event, is a work of fiction that approaches its subject in a way that, due both to the unconventional circumstances of its filming, and to its apparently straightforward, naturalistic plot, looks like that of a documentary. This paper examines a number of motifs – the monorail, suitcases and other bags, a tear, the telephone, the landing of the children’s apartment, bills, nail polish, and hands – that give the film not only structural coherence, but also powerful symbolic weight. |
Keywords: | Japanese film Koreeda Hirokazu documentary fiction |
URI: | http://hdl.handle.net/10561/918 |
Appears in Collections: | 第13号
|
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.
|